Bernhardt Herbordt, Melanie Mohren
Promise, Practice, Protocol—
Performing Future Presences
Are You Meaning Company
The Ten People No. 3
Matthias Böttger
Garden Without Us
Corinne May Botz
Haunted Houses
Marcelo Cardoso Gama
Unvisible Singing III: A Souvenir
Jonathan Garfinkel
Manufactured Soundscapes
Javier Hinojosa
Emphemeral Traps
Eunjung Hwang
Creature Feature Animation
Alicja Karska, Aleksandra Went
From the Cycle
Daniel Kötter, Begum Erciyas
5 Falsche Versprechen
Pei-Wen Liu, Tobias Hoffmann
syzygy
Marcell Mars
What Is Smart? What Is Stupid?
Matthias Aron Megyeri
Contribuere
Kaiwan Mehta
Species of Traces
An Archaeology of Journeys
of Exact Portraits of Identifiable
Existing Originals
Kerstin Meyer
What Am I Doing Here?
An Exchange Between Artists
and Professionals
of International Development
Damir Očko
Steps over the Frozen Lake
Mike Osborne
Near Monochromes
Bernardo Oyarzún
Reality Set
Dubravka Sekulić
Future Presences
Alexander Sigman
detritus | reconstructions
Katarzyna Sowula
Where Is the Truth
about the Past?
José Carlos Teixeira
Between Clarity & Fog
The New Schicksalsgemeinschaft
(Jan Altmann/Zoran Terzic/Daragh Reeves)
ZEN & SPLATTER (Laundry Chinoise)
Photo Gallery
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Jonathan Garfinkel
Manufactured Soundscapes
It starts with The Visitor, a fictional/real character who wanders the castle (see contribution by Marcelo Cardoso Gama). At a certain hour, of a certain day, he sits in a room with The Writer and gives his impressions. The format is the interview. The Writer tries to make sense of this fiction/reality. He asks questions. He is not always sure he understands, in fact, he never understands, but he continues to ask questions. He is curious. He is a voice of reason in this multi-layered reality. But he too gets swept up in the chaos and his sense of reason becomes challenged. He holds his ground best he can.
Interview 1

Later the interviews turn to drink; and the drink leads to more questions; there are conversations and the sound of what makes the artist tick. And so The Writer’s archive unearths something of the inner workings of the mechanisms of art and the institution, and the experiment (living) of 52 hours.
Interview 2
Interview 3
Venues: archive, studio 14 (ground floor) and elsewhere
Photo by Anne Vollenbröker
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