Exhibition / 52-Hour-Lab
Bernhardt Herbordt, Melanie Mohren
Promise, Practice, Protocol—
Performing Future Presences

Are You Meaning Company
The Ten People No. 3

Matthias Böttger
Garden Without Us

Corinne May Botz
Haunted Houses

Marcelo Cardoso Gama
Unvisible Singing III: A Souvenir

Jonathan Garfinkel
Manufactured Soundscapes

Javier Hinojosa
Emphemeral Traps

Eunjung Hwang
Creature Feature Animation

Alicja Karska, Aleksandra Went
From the Cycle

Daniel Kötter, Begum Erciyas
5 Falsche Versprechen

Pei-Wen Liu, Tobias Hoffmann

Marcell Mars
What Is Smart? What Is Stupid?

Matthias Aron Megyeri

Kaiwan Mehta
Species of Traces
An Archaeology of Journeys
of Exact Portraits of Identifiable
Existing Originals

Kerstin Meyer
What Am I Doing Here?
An Exchange Between Artists
and Professionals
of International Development

Damir Očko
Steps over the Frozen Lake

Mike Osborne
Near Monochromes

Bernardo Oyarzún
Reality Set

Dubravka Sekulić
Future Presences

Alexander Sigman
detritus | reconstructions

Katarzyna Sowula
Where Is the Truth
about the Past?

José Carlos Teixeira
Between Clarity & Fog

The New Schicksalsgemeinschaft
(Jan Altmann/Zoran Terzic/Daragh Reeves)
ZEN & SPLATTER (Laundry Chinoise)

Photo Gallery

Eunjung Hwang
Creature Feature Animation

The main aspect of Eunjung Hwang’s art-making is to explore un-exorcised images from the world of dreams and infancy, follow them to their farthest points and then represent them in unique combinations of digital and physical form.

Eunjung Hwang


Eunjung Hwang



The emerging kaleidoscopic image develops its own symbolism. The central elements of animation are characters that arise from the subconscious. Thus, they are iconographies of a mystical reality and have a pictorial and mysterious character. The animation’s narrative structure is more like a rhythmic structure than a legible story.



Eunjung Hwang

Eunjung Hwang

Eunjung Hwang

Eunjung Hwang

Eunjung Hwang

Eunjung Hwang

Eunjung Hwang


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